Contemporary Realignment – St Johns Paddington by Tom Mark Henry
A contemporary conversion of an existing church building, St Johns Paddington sees a recalibration of the interior to become a series of modern spaces for its residents. Tom Mark Henry adopts a textural approach that, together with a subtle and warm base, welcomes a curated assortment of artwork, lighting and furniture.
With a previous occupation as a place of worship, St Johns Paddington is realigned to modern residential use. Retaining the heritage-listed façade, the interior was reworked to create a new series of spaces. Each space fits neatly within the shell of the original structure, suited to their new typology. The project came together – influenced by the lofts of New York City – with Tom Mark Henry adopting a more open approach to living that also allows for moments of intimacy and retreat.
Focusing on handcrafted elements, a distinct connection between the past and present honours the original makers of the structure. Integrating a sense of flow was also core to the brief, with movement heavily influencing the home’s design. Underpinning core functionality, a curated selection of furniture encourages easy internal movement, allowing the spaces to feel purposeful and well-intended.
Maintaining a visual and textural connection to the original sandstone walls inspired an added depth and richness to the new spaces. Lighting plays a core role in setting a warm tone throughout, adding a decorative touch as it animates surfaces. Creating a dynamic internal palette, the home is bathed in light, contrasting the use of deep blues and darker tones.
Combining the residential context with a hotel sensibility, St Johns Paddington inserts a new chapter into the heritage structure’s life. Tom Mark Henry ensures the building’s continued lineage carefully combines the old and new.