In partnership with dedece
Published
23/10/2025
Words
Deborah Cooke
Photography

Minotti’s singular stylistic approach is personified in its wide-ranging 2025 Collection, available exclusively in Australia at dedece.

For its 2025 Collection, Italian design powerhouse Minotti presents new evolutions in modular seating from a clutch of stellar creatives including Giampiero Tagliaferri, Marcio Kogan of studio mk27, Hannes Peer and GamFratesi. Disparate they might be, but each of their works reflects the essence of Minotti’s DNA – aesthetic understatement, timeless elegance and artisanal savoir-faire.

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“Combining innovation with tradition, the collection resonates with a new generation without losing the essence of the Minotti aesthetic.”

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“The 2025 Collection marks a new chapter in Minotti’s design journey, offering fresh perspectives while remaining rooted in its signature elegance,” says Tim Engelen, founder of dedece, which has welcomed the new range to its curated line-up of global design luminaries. “Combining innovation with tradition, the collection resonates with a new generation without losing the essence of the Minotti aesthetic.”

The different design languages of the modular seating are “all unified by Minotti’s singular stylistic approach,” says Engelen, adding that “dedece takes great pride in introducing this exceptional collection to the Australian market”.

For the Bézier modular system, Brazilian architect Marcio Kogan embraces irregular volumes and fluid forms.

Architectural and interior designer Giampiero Tagliaferri operates studios in both Italy and California, and the influence of both locales – the former’s embrace of ornament and the latter’s reverence for light and colour – find form in Coupé, whose distinctive silhouette is defined by overlapping rounded volumes and couture-inspired details. The leather iteration features tone-on-tone longitudinal stitching, a graphic element that traces the entire sofa.

For the Bézier modular system, Brazilian architect Marcio Kogan of studio mk27 embraces irregular volumes and fluid forms that reflect the geometry of the parametric curve named for French engineer Pierre Bézier. Those curves support an ultra-comfortable seat layered with high-density polyurethane of varying thicknesses, creating uniform comfort. A lumbar cushion forms the backrest, introducing another tier of relaxation.

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GamFratesi has extended the organic design language of the Vivienne armchair into a seating system that balances sinuosity and geometric rigour.

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Copenhagen-based duo GamFratesi – Dane Stine Gam and Italian Enrico Fratesi – have extended the organic design language of their Vivienne armchair into a seating system that balances sinuosity and geometric rigour. Here, a backrest that wraps around the seat cleverly does double duty as an armrest, while the finely contoured base is supported by recessed aluminium bars which, in turn, house the cushions.

Hannes Peer, of the eponymous Milan-based architecture studio, explores the nexus of tradition and modernity with Riley, a sofa he describes as dynamic and versatile, “balanced between restraint and expressiveness, rigour and ease, permanence and fluidity”. On a recessed base of either bronze or black chrome, the rectilinear form of the seat and backrest appear solid and anchored, but are lightened by vertical quilting, adding a sense of the sartorial to the timeless shape.

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The 2025 Collection also features the Yoko dining chair, which embodies the dual design languages of Inoda+Sveje’s founders – Japanese architect Kyoko Inoda and Danish designer Nils Sjeve; the Libra series by Tagliaferri, comprising a coffee table, bergère, footstool, dining table and chairs, bench, ottoman and bench, all defined by an interplay between proportion and form; and Hannes Peer’s Andrée coffee table, an artisanal piece inspired by the 1970s featuring clean rigid lines and glazed ceramic tiles.

The full range is available exclusively in Australia at dedece.

Photography courtesy by dedece