The Shearers Quarters and Captain Kelly’s Cottage by John Wardle Architects embody the intersection of both Waterview’s layers of history and its contemporary evolution.

As the home John Wardle has lived in with his family for 30 years and which has been recently renovated, Kew Residence exemplifies the importance of narrative in the architect’s work.

Ballarat GovHub rethinks the role of the office building in civic life by prioritising connections between the workplace and the public realm.

Redefining the typical gallery experience of austerity, OTOMYS sees Georgina Jeffries rework the familiar, taking on a refreshing and light-focused approach.

John Wardle Architects designs 424 Malvern Road, a mixed-use apartment and retail building whose otherwise muted façade is in constant flux in response to its occupants.

A rare combination of the monumental and the approachable, engagement with the public is at the heart of the design of the Ian Potter Southbank Centre by John Wardle Architects.

Australian Sustainable Hardwoods and John Wardle Architects have created an open and inviting space for the University of Tasmania’s West Park Campus.

Phoenix Central Park sees Durbach Block Jaggers and John Wardle Architects join forces to propose this unique performance space and gallery as it captures notions of movement and expression.

Boneo Country House sees John Wardle Architects use bold open volumes to create a calming sanctuary internally, surrounded by an immersive and serene landscape.

John Wardle Architects’ Bushfire Recovering Auction is now running, with proceeds supporting the Biodiversity Recovery Project, established in the wake of last summer’s devastating fires.

Composed as a series of courtyards and pavilions, Lake Wendouree House by John Wardle Architects pays homage to the gardens of the regional Victorian city of Ballarat.

On a working sheep farm on Tasmania’s North Bruny Island, John Wardle Architects’ Shearers Quarters sees a warm timber-lined structure, clad in corrugated iron, reinterpret the traditional design.

Despite its grand scale, the Ian Potter Southbank Centre, home of the Melbourne Conservatorium of Music, is a building of remarkable generosity, whose design is grounded in encouraging the artistic.

The international award-winning restoration of John Wardle’s 1830s cottage on Bruny Island stays true to the modesty of the original dwelling, reconnecting the new with the narrative of the old.