Art House sees GOLDEN reimagine an existing home into a midcentury-inspired series of spaces that open generously to the surrounding garden, effortlessly introducing natural light.
Ivory House sees Homeroom Studio and Tecture layer openness with a clean and linear approach, embedding a timelessness and natural connection into the resulting home.
Monomeath House sees Technē Architecture and Interior Design reimagine a 1930s-era home to capture a certain character and spirit with nods to midcentury principles and Palm Springs architecture.
Designed for a family of five, Peninsula Farmhouse by Swell Building Group balances scale, natural beauty and material craft, culminating in considered moments of quality and softness.
Music Box sees Multiplicity carefully navigate an awkward site, taking cues from the terrain and natural landscape to form a forever home of secluded privacy.
Evergreen sees Robson Rak focus on a philosophy of openness to reinforce connections outward, while retaining a sense of enclosure as a private retreat.
A reimagining of an old classic, Cardinal sees an existing Victorian-era home given a new life, allowing for adaptability at its core and an expression of the owners’ love of entertaining.
With an artisanal approach, Lilac Linen sees Sally Caroline layer a series of considered gestures in curating the newly conceived interior for the home.
Melbourne design retailer In Good Company enhances an impressive collection of minimalist goods with beautiful candy-coloured glassware from Danish design brand Helle Mardahl.
Carpenters Square House sees Architects EAT draw from the existing nature of the original home and propose a series of volumes that enhance the everyday.
Exuding elegant style for the home, the Paradise Bird Collection by Wittmann fuses comfort and a sophisticated aesthetic whilst challenging the current monotony of interiors.
We Should Be So Lucky sees Multiplicity layer a series of considered insertions among the existing, extending on original principles and enriching the home.
Lantern House sees Topology Studio pay respect to both the heritage of the home and the existing streetscape in proposing a considered and quaint intervention.
Concrete House sees GOLDEN combine a considered and crafted approach in bringing together refined and masculine elements that are softened by textiles.
James Richardson Furniture continues as one of the leading destinations for design by welcoming Aplós, the latest collaboration from renowned designer Helen Kontouris.
Brunswick East Residence sees Studio Amble respectfully restore elements of the original home whilst weaving in new additions that pay homage to its origins.
Brunswick House sees Olaver Architecture retain the previously established modesty of the original home whilst adding character and charm through the new expansion.
Announcing this month’s winners of the Specified Responsibly competition, ForestOne promotes the conscious designs from Sandberg Schoffel Architects and Outline Design Office.
Picket House sees Austin Maynard Architects navigate the challenging sloping site by reconfiguring volumes and analysing how they intersect with each other and the terrain.
Following from a successful launch in Sydney, thousands of contemporary artworks will be under one roof as the Affordable Art Fair returns to Melbourne.
Hood House sees Mihaly Slocombe Architects embed a flexibility into the spaces, allowing for expansion and contraction as needed, through a playful and experimental lens.
The Courtyard House sees Page Stewart draw from a European influence in encouraging the outside lived life, turning the focus inward as a private repose.
Union Street Residence sees NTF Architecture increase the transparency of the existing and propose a series of generous volumes that openly welcome an exchange with the landscape and natural light.
Magnolia House sees Robson Rak take heeded influence from the ornate and crafted nature of the existing, proposing a home of continued evolution, elevated through detail.
Host House sees Splinter Society Architecture balance vertical and horizontal expressions across the site, creating and emphasising contrast and form in the process.
Eastham Street sees MUIR Architecture focus on re-crafting a contemporary iteration of the home’s former self to actively engage with the natural elements.
Designed by Kennedy Nolan, The Lothian in North Melbourne is a speculative residential development comprising an unusual housing mix of townhouses and apartments.
Bowen House sees Neil Architecture open the new as a connected embrace of the surrounds, orienting the living and shared spaces of the home to capture the natural elements.
Connected House sees Wolveridge Architects draw from the coastal and surrounding environment to form a design led by the lifestyle and personalities of the clients.
Flinders Residence sees Susi Leeton Architects navigate the challenging site through a understate and refined approach, emphasising warmth, elegance, and an embodied calm.
Hotham House sees Elenberg Fraser marry the classic form of the Victorian-era terrace with the modern style and functionality of a contemporary family home.
Neometro’s latest project, South Crescent, illustrates the company’s sympathetic approach to property development, honed from years of experience and motivations to build design-focused.
Autumn House sees Studio Bright carefully weave the new with the existing, proposing a home that reflects its current custodians with respectful reference to the structure's previous chapters.
From the Specified Responsibly Trade competition, ForestOne promotes the projects of Claudia Jarjoura and Edith Makra, and their use of innovative and sustainable materials by EGGER.
Tenderly reimagining a Gold Rush-era residence, Drummond St by Whispering Smith offers both complement and gentle contrast to the delicate gestures of a heritage home.
und Messing, Volker Haug Studio’s latest collection of lighting released in Milan during Salone del Mobile, explores the material capabilities of brass.
Yakimono, the neon extravaganza by architects Russell & George, lands somewhere between the buzz of downtown Tokyo and the coolness of inner-city Melbourne. It’s sensory overload, just the way it was
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