Ace Hotel in Sydney is Atelier Ace’s first outpost in the Southern Hemishphere. Designed by Flack Studio and Bates Smart and located in Surry Hills, it celebrates local craft with spirit.
Clarence Apartments by Architects EAT is a building that emphasises opportunities for social interaction and connections to nature within a brick structure that relates to its residential.
Broached Commissions is a research and narrative-driven production house, exploring the historical role of design through applied arts and critiquing design as a construct.
Featured in the nau 2021 collection, Adam Goodrum’s Harbour is a homage to craftmanship and comfort, presenting as both versatile in function and authentic in character.
Volker Haug’s internationally-celebrated lighting studio in Melbourne balances robustness with fragility through an understanding of the relationship between lighting and interiority.
Designed by Tamsin Johnson, Lucy Folk’s new store on William Street in Paddington is a textural celebration of craft inspired by the Medina of Marrakech.
International Women’s Day 2022 is dedicated to ‘breaking the bias’. For Melbourne-based interior designer Sally Caroline, empathy is the keystone to being a female business leader today.
An electrifying convergence of artists and collectors is set to delight this March with the National Gallery of Victoria and Melbourne Art Foundation announcing the launch of Melbourne Design Fair.
To be exhibited as part of the upcoming 2022 Melbourne Design Week, It's Up to Us explores the contribution of women in design through lenses of creativity, representation, freedom and advocacy.
The Billbergia Sales Office project by MXM Design Studio, utilises innovative timber veneer supplied by Elton Group to create a unique commercial space rich with natural beauty.
Sculpted by the constraints of its tight, inner-suburban site in Windsor, Eastbourne by Eastop Architects is an introspective home that skilfully balances privacy and connection.
The Penthouse at Thirty Anderson designed by Rob Mills Architecture & Interiors draws on nature’s unrivalled tranquillity, resulting in a luxurious residence that explores kinship through design.
As Creative & Brand Director at the helm of her family business, James Richardson Furniture (JRF), Georgia Danos celebrates the company’s historic origins and brings it decidedly into the present.
As a recognised developer of luxury Brisbane homes, GRAYA is turning its focus to high-end apartments. Curated by Bureau Proberts, Canvas, the first in a series of bespoke residential buildings.
Darley House sees Arent & Pyke bring a softness in palette and materiality in creating a home layered by curious and engaging moments to partake in the rituals of daily life.
DOMO will soon be relaunching outdoor furniture brand Point and its range of contemporary and classic collections that celebrate the joy of living life outside.
Born from a passion for Danish design, the 20-year story of Great Dane is one of crucial relationships, protection of local artisanal manufacturing and a focus on authentic Scandinavian design.
Founded on a passion for design, quality and a genuine approach to business, In Good Company is the Melbourne-based design destination created by Louise Bastiras.
Originally designed and built by Alistair Knox in 1969 and recently updated by architect Adriana Hanna, The Fisher House is an exemplar of Australian modernism.
St Andrews Bach sees Wolveridge propose a structure that efficiently navigates the needs of the family home, embracing the surrounding natural elements.
Tom Robertson Architects has reincarnated a tired twin set of cabins into an accommodation offering unique to Red Hill and the surrounding Mornington Peninsula.
On a quiet street in Collingwood in Melbourne’s inner north, a delicate little glass pavilion by Office Mi–Ji sits tucked to one side of a warehouse site.
Interior designer Tamsin Johnson’s work is an energising melange of vintage grandeur and modern lines, fed by her early exposure to the world of design.
Armadale House sees an Edwardian-era dwelling in Melbourne’s south-east emerge as a grand family home, embracing its decorative side while celebrating a new pared-back identity.
NTH sees Ply Architecture draw from a continued narrative with both the site and surrounds in proposing a series of contemporary and light-filled interconnected spaces.
Directly informed by its Sorrento location, Fiona Lynch does away with the pastiche notion of beachside living to deliver a coastal home full of warmth, tranquillity and texture.
CLT Passive House sees betti&knut architecture propose a self-sustaining structure that epitomises efficiency in both its timely construction and its energy load over time.
Filter House sees Andrew Hagemann Architecture combine both heavy weighted masonry elements with lighter counterparts to create a sense of balance and comfort.
Nicholls Residence sees Tecture respectfully integrate the heritage elements of the home through a contemporary overlay, opening volumes to encourage light in.
Cheltenham House sees Page Stewart use a controlled rigor to both restore and extend the previous volumes, focusing on character and facilitating a contemporary interpretation.
Grange sees Conrad Architects and Lauren Tarrant unite in sculpting an enduring and rhythmic addition to inner Melbourne, as a true sanctuary for its owners.
True to Stylecraft’s commitment to giving back, the furniture and design provider has partnered with TAFE NSW to launch the Stylecraft First Nations Interior Design Scholarship.
Cecil Street sees Chamberlain Architects focus on bringing natural light inward, ensuring clean and uninterrupted gestures connect to a shared sense of calm felt throughout.
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